The Best of Pachelbel. 1 Hour of Top Classical Baroque Music. HQ Recording Canon In D

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Enjoy 1 Hour NON STOP Classic Music with theBest of Johann Pachelbel .
This video collects the essential of Johann Pachelbel played by the biggest Symphony Orchestra of all time [Full Recording in High Quality Sound]

1987 / 1991 Moldavia Philharmonic Orchestra / All Rights Reserved
1985 / 1998 ITC Philharmonic Orchestra / All Rights Reserved
1991 Giuseppe Verdi Orchestra / All Rights Reserved
1988 Lucia Marina Dell'Orso / All Rights Reserved
1984 / 1994 EKlectic Music / All Rights Reserved
2001 Pitagora Music / All Rights Reserved
2012 3ut3rp3 Music Ltd / All Rights Reserved
2001 The Mozart Symphony Orchestra / All Rights Reserved

00:00:00 - Orchestra
00:06:32 - Flute and strings
00:12:06 - Piano
00:15:43 - Synth
00:21:57 - "How, where, when will we touch again?"
00:26:00 - Strings (variation)
00:30:41 - Trumpets
00:35:34 - Shakuhachi and Koto
00:41:30 - variation (with strings)
00:50:24 - Guitar
00:54:45 - Acapella
00:57:34 - Piano and harmonica (variation)
01:04:07 - Guitars and percussion
01:08:34 - Strings (presto)
01:12:05 - Strings (allegro)
01:16:24 - variation (no main theme)

Pachelbel was a German composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.

Pachelbel's music enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, as well as the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.

Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites
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